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Tuesday, January 2nd, 2007
12:47 am - Fly, my pretties, fly!
So, most of you will already know that I have disbanded my regular journal, [info]mini_snape in favour of a new one, namely [info]electricwitch
Having spent half of today trying to scramble together my old flist, I thought I´d leave a message here for anyone who´s confused and wants to refriend me but to whom I haven´t sent a "moving journal" message.
(Yes, I did send "moving journal" messages to everyone who updated recently... Yes, I am in fact a 50s housewife)
Please also tell anyone who wants to know. (Shut up, I don´t know who, either)

Oh, and happy new year! And happy new journal to me!

current mood: loved
current music: David Bowie- Lady Stardust

(2 what Muggles call comments | whack Richard over the head)

Sunday, November 12th, 2006
11:56 pm - Draaaaamarama
Another drabble; they're all I can crank out these days. 

Title: Rivals
Pairing: Bolan/Bowie
Rating: Nothing but character development and intertextuality here, loves. 
Genre: Humour


Rivals )


current mood: apathetic
current music: Slade- Pook Hill

(10 what Muggles call comments | whack Richard over the head)

Monday, November 6th, 2006
5:34 pm - Drabbles drabbles drabbles!
Sooo, here are some brain snacks for all those who are hungry for the verse. Two delectable drabbles about Bowie & Bolan. That sentence alliterated too much.

Title: Rising Star
Pairing: Mod!Bowie/Mod!Bolan
Rating: B for Bitchy.
Warnings: Features references to manipulative abuse of elderly managers.





current mood: chipper
current music: Adam Ant- Bright Lights, Black Leather

(2 what Muggles call comments | whack Richard over the head)

Monday, September 11th, 2006
5:57 pm - Don't kill me, I've got so much to give...
So eh, because I don't know what else to do with it and I need to get rid of my guilt, here's my strangling Bowie fic.

PLEASE DON'T KILL ME, LOU REED! I'm sure you are a very nice man who'd never hurt David Bowie, or even think about it apart from that time when you hit him. I just needed a vehicle for my own twisted sadism. David Bowie, on the other hand, may try to kill me as much as he wants, because I'll hump his leg until he gives up I can best him in a fight any day.

Title: Kill The Father
Pairing: Lou Reed/David Bowie
Rating: Eh. I don't know. Whatever you give to someone getting off on murder.
Warnings: Remember, kids, strangling people is BAD, mmkay? And getting off on strangling people is even badder. And taking drugs is also bad.
Notes: It's all Morrissey's fault, for quoting that song by that Kristeen person. That's also where the title is from what Freud? there is no Freud here.




                                                                                          Kill The Father


He liked looking at him. Not even so much talking to him, or just being around him, as he did looking at him. Like he’d look at a TV or, more accurately, a fish tank, or a birdcage. He liked watching that little blob of colour flit to and fro stuck in its eternal habits; smoking, sitting folded in a chair with his legs bent underneath him, one thin arm over his head. Gazing silently into space as his uneven pupils widened with his high.

 

Lou grinned his slow, sneering grin. There was not much that escaped his keen eyes, dark and still like the sunglasses that covered them. Especially when he was as attentive to his subject as he was to David. The heroin seemed to sharpen his mind with its spikey ecstasy, making it accurate and quick like the smooth edge of a knife. Even through the clouded glass of his glasses and in a space as dark as this, his eyes, hyper-sensitised by the drug, did not lose a single detail. He could see him on the other side of the room, talking to someone, thin arms jutting out in time to his sentences, long hands fluttering. Lou swallowed, feeling suddenly and painfully deeply how heartbreakingly beautiful David was, and that he had to be with him. Now. So he rose from his seat, in a smooth and unreal way, as in a dream, and drifted over to him. He loomed like a ghost next to David, merely standing and staring, knowing David would be able to feel his gaze upon him through the darkness of his sunglasses. And yes, it was only a matter of seconds before he looked up.  His mismatched eyes were searching Lou’s face in wonder, his pale lips parted just a little, enough to make him look breathless. Lou smirked, and leant in to kiss him. Of course David accepted him without question- he had never dared to cross Lou- and opened his mouth to his rough tongue. David was so cold- something Lou always noticed with pleasure- and so oddly soft for someone so angular. Lou brought up a hand to stroke the cool flesh of David’s neck, the fluffy magenta hair at the base of his skull, but instead found the cotton of a shirt collar, and, his fingers probing deeper, the silk of a tie. He hated this usurper from the moment he touched the smooth fabric, but as he tugged at it in fury, and felt David twitch in response, he gasped against his parted lips. Suddenly, he saw.

 

In a matter of seconds, he could see himself, pressed closely against David’s lithe body, as he tugged at his tie harder and harder, until it was cutting into his sinewy white neck. He could feel David’s bony limbs flounder against his own strong body in futile struggle, the pain of feeling him trying to fight him off, as he just pulled harder, dug his hips deeper into David’s thigh, his cock aching unbearably from the pressure. He’d feel the cool skin of his face become hot and the harsh rattling breaths from his slack mouth against his own face. He’d watch his eyes become wider, glistening as they began to brim with tears, then bloodshot and finally dazed, the flecks of foam around his lips dry, and his body still and cold as Lou ruthlessly kept the tension on the tie at breaking point, his body pressed hard against the soft form.

 

With a growl he woke up from this flash of a daydream, feeling so hard and excited as if a single touch could set him off. He opened his eyes and pressed softly into David, who was staring at him with wide eyes. With a start, Lou realised how David’s body was as cool and limp as he had imagined it. He broke away immediately, as the full realisation of what he had thought hit him, and he felt for a wild moment that he had done it. But David merely blinked and shuffled his feet uncomfortably, as Lou hovered near him, staring at him with his reptilian eyes.  He licked his lips, and slinked off into the shadows he had come from.



current mood: accomplished
current music: Barry Mann- Teenage Has Been

(2 what Muggles call comments | whack Richard over the head)

Sunday, September 3rd, 2006
10:34 pm - OMG. WTF. MOD?
Well, this just fell out of my head. It's not my fault that it's so disgustingly fluffy, I swear. They just wouldn't move in any other way. On the other hand, it is utterly historically correct. Er, I think. Title taken from The Mighty Boosh DUH.

Title: Don't try and take me on! I'm King of the Mods!
Pairing: Mod!Bolan/Mod!Bowie
Rating: D for Disgustingly fluffy.
Warnings: SICKENINGLY SWEET!



                                                                                    Don't try and take me on, I'm King of the Mods!





David stomped along the road towards the office, feeling depressed. As if it wasn’t bad enough that Simon hadn’t helped him make the big time yet, he was making him paint the office. Like he was his employee rather an artist under his patronage. And then Simon would probably make a pass at him again, too. Damn him! David frowned heavily as he rang the doorbell, and was still frowning when he was let in and clattered up to the office, the leather soles of his shoes making odd thumping noises on the floor that echoed all along the high corridors. He went into the office, which was covered in sheets. In the far right corner there was a small amount of pots of paint and brushes. Somewhere, someone was painting a wall brown, but he couldn’t see who it was because just at that moment Simon blocked his view.

“David!” he said loudly. “So good to see you. How are you?”

“Eh.” David said, trying to peer past Simon to see who else was here. Maybe it was someone famous.

“Well, excellent.” Simon said. “I have to go now, and attend to some business, but I’m sure you’ll be fine. Everything you’ll need is over there in the corner. If you need coffee or food, just ask Phyllis in the other room, alright?” David nodded obediently. “Oh, and ask her for a smock, too. We wouldn’t want those lovely clothes to get all paint-splattered, would we?” Simon grinned and made a strange waving movement towards David, like he was going to clap him on the back, which David dodged. Simon then slipped past him and out the door as quietly as anything. David stomped over to where Phyllis was sorting through things, grabbed a smock, and went back to the other room. Just as he was sorting through the brushes, he got the feeling he was being looked at, and turned round.

An odd-looking boy, the same one who had been painting the opposite wall brown, was staring at him, an impish glint in his dark eyes. He was wearing a blue suit and two-toned shoes under his smock, David noted with no small amount of jealousy, and his hair was curly and dark, but perfectly orderly. Even more annoyingly, he was completely free of paint splatters. Well, now that he looked closely he could see he had some on his face. At least that was something. David stuck out his chin defiantly.

 "Ello, who are you?” he said.

 "I’m Marc, man.” The other boy said.

 "Oh.” David said. “What do you do?”

“I’m a singer.” Marc said, smirking a little. 

“Oh yeah, so am I.” David said, tilting his head back. “Are you a mod?”

“Yeah, I’m the King Mod.” Marc said with an infuriating assurance. He looked David up and down in a way that made his blood boil. “Your shoes are crap.” He finally stated.

“Well,” David said, as divine inspiration took hold, “you’re short.” He crossed his arms, sure of the formidable force of this blow. To his surprise, Marc burst into giggles. It was such an odd and infectious sound, David couldn’t help but laugh himself.

 "Ere, you’ve got some paint on your face.” he said, and leant over to wipe it off. Marc fell still, looking at him with those big but piercing eyes in a way that made David feel embarrassed for some reason. He cleared his throat and, realizing how close he was standing, did a step back.

“Thanks.” Marc said softly. David turned and practically ran back towards the paint. They spent most of the afternoon in silence, working hard, apart from a small break which they spent with Phyllis in the other room. When they were finally done, they cleared up in silence, too tired to speak, and went out at the same time. As they reached the front door, Marc turned to David and said: “Have you ever been dustbin shopping?”

“No.” David said, trying to look as if he knew what it was.

“Come on, I’ll teach you.” Marc said. He grabbed David by the hand as if it was the most normal thing in the world and smiled at him. David tried not to blush and failed. Marc giggled at this, and, leaning over to him, gave him a quick kiss. “Come on.” he said, looking up at David from beneath his neat side parting. David grinned a lopsided grin, and together they ran off into the grayness of London.

 

 


current mood: weird
current music: John Wilkes Booze- Marc Bolan makes me want to fuck pt 2

(14 what Muggles call comments | whack Richard over the head)

Monday, April 10th, 2006
4:53 pm - The sound of evil laughter fills the air.
So here it is, my long-awaited saga of TimeWarp!Snape and Adam Ant. First, a few notes about characterisation. Since it's a comedy, everyone's slightly OoC anyway, but... The character of Adam Ant is based entirely on interviews of the time. I know from talking to people who knew him, that he was rather different in real life, but I had to base him on something. So sorry to everyone who ever knew or loved him for any faults. This is also why I used his pseudonym in the story instead of his real name. Snape is (duh) a RHPS fan here. So there. Also, Dave the tourmanager is a figment of my imagination. Somehow, all tourmanagers I meet are called Dave, so I thought it couldn't be too far off if I called him that. On to the story.

Title: Don't Dream It, Be It
Pairing: Adam Ant/Timewarp!Snape. Hints at Adam Ant/Marco Pirroni. (Please don't kill me, Marco.)
Summary: On the first tour with his new line-up, in the spring of 1981, Adam Ant finds himself stranded in Yorkshire. Trying to find help, he stumbles upon an unlikely character.
Ratings are for Americans and fundamentalists.



current mood: pleased
current music: Draco and the Malfoys- My dad is rich

(2 what Muggles call comments | whack Richard over the head)

Friday, March 10th, 2006
9:42 pm - Queer reading isn't just for the gays anymore, my dears.
So, while studying for my last essay this year- it's about neo-gothic elements in HBP- I read a lot of essays by other people, and the absense of any Snape/Lucius connections annoyed me. Here, then, is my own attempt. Naturally, since I am writing this alongside my actual essay, it's not as good as it could be, but maybe I'll rewrite it later, and then post it to communities. I need beta's too, so if you feel like it...

                                                                                                                 A LAPDOG
                                      A long hard deep detailed look at the relationship between Severus Snape and Lucius Malfoy (and his family)


A complaint that occurred to me while reading HP criticism over at hp_essays: Why do none of the ‘serious’ writers sympathise with the pairing (in sex, love, or friendship) of Snape and Lucius? Is this too much like a ship for them? Or are there still so many people in the world who believe that everyone, including fictional characters, is by default straight? That is disheartening. Considering the proof for their relationship, I find this entirely unjustified.
    Authorial intent, as in most literary criticism, is irrelevant to the question. Maybe JKR never intended to suggest any homoeroticism, but especially within the realm of the Gothic novel (fantasy is a genre hereof), it is the subconscious rather than the conscious that is the drive, and therefore what must be studied. I personally have never found authorial intent interesting anyway- literary criticism is based upon interpretation, and proving interpretation as possible, not upon reading what the author says you should. That does not mean that reading interviews is not useful- when JKR shoots down a theory, this means that it will probably never be important to the plot. For instance, I am sure there is proof, if you feel strongly enough about it, for Snape’s being a vampire, but it will never be of any significance to the plot if JKR says it is untrue. However, the relationship between Snape and the Malfoys is of paramount importance, since it caused Snape to forge the Unbreakable Vow. Even if he agreed beforehand with Dumbledore to kill him, or with Voldemort, he still made a vow that was, when he started it, to protect Draco, not to kill Dumbledore. That was added during the vow:

“Will you, Severus, look after my son as he attempts to fulfull the Dark Lord’s wishes?”
“I will, said Snape.” (…)
“And should it prove necessary, if it seems Draco will fail…” whispered Narcissa
(Snape’s hand twitched within hers, but he did not draw away), “will you carry out the deed that the Dark Lord has ordered Draco to perform?”
(Harry Potter and the Half Blood Prince, p.41)

Therefore, as the second part was added after he could do anything without looking silly, there is no reason for him to offer to swear the vow apart from sympathy. It seems sad that the one time he stands up and does something for love it causes his downfall.
    Many believe that Snape is driven by self-preservation, rather than moral values of the ‘good’ and the ‘bad’, and that his taking the Unbreakable Vow is therefore characteristic- he wants to protect those he likes- or uncharacteristic- he is too selfish to care for others outside himself- but they agree that he takes it out of affection. There are two possible objects of this affection- Narcissa tries to persuade Snape by appealing to his affection for Draco and Lucius:

“I only meant… that no-one has yet succeeded… Severus… please…
you are, you always have been, Draco’s favourite teacher… you are Lucius’ old friend
… I beg you… you are the Dark Lord’s favourite, his most trusted advisor… will you speak to him, persuade him-?”
(Harry Potter and the Half Blood Prince, p.38)

Notice she does not say ‘our old friend’, or ‘our friend’, but ‘Lucius’ old friend’. She apparently only knows Snape through Lucius and Draco. Though Snape obviously cares for Draco too, and she knows he does, Lucius’ friendship goes back farther. ‘Friend’, furthermore, is singular, suggesting that he is Lucius’ -only- old friend.
    It is impossible to prove, while looking at the words that are there, to argue that he does it out of affection for Narcissa. Considering following passages, some kind of sympathy between the two is implied, but in Narcissa’s mind, his relationships with the other two are obviously first. Although the two talk familiarly, Snape addresses both sisters similarly, and there is at no point implied or said that Snape knew Narcissa outside of her domestic context of husband, sister, son.
    Furthermore, there are the obvious clues within the other books that hint to a relationship between Lucius and Snape:

Draco tells Snape, “I expect you’d have Father’s vote, sir, if you wanted to apply for the job – I’ll tell Father you’re the best teacher here, sir.”
(p. 267, Harry Potter and the Chamber of Secrets)
(In response, Snape smirks.)

(at the end of Goblet of Fire, Harry names the Death Eaters he saw at the graveyard. When he comes to Lucius’ name, Snape…) “[makes] a sudden movement”
(Harry Potter and the Goblet of Fire, p. 706).

Sirius :“Tell me, how is Lucius Malfoy these days?(…)”I expect he’s delighted his lapdog’s working at Hogwarts, isn’t he?”
(Harry Potter and the Order of the Phoenix, p. 520).

(When Snape refuses to give Umbridge Veritaserum, she yells) “I expected better, Lucius Malfoy always speaks most highly of you!”
(Harry Potter and the Order of the Phoenix, p. 745)

His twitch at the mention of Lucius’ name implies some kind of emotional shock at hearing him exposed to the authorities. He is obviously either shocked, concerned or angry to hear Harry deliver Lucius up to the authorities. One does not twitch in pleasant surprise. Then Lucius has obviously been name-checking Snape around the Ministry- why is not very clear, since Snape has never seemed to have anything to do with the Ministry. Perhaps he was trying to worm his friend into a nice position in the Unspeakables. Then there are the favours he showered on Draco from day one. Over the course of the books, this has grown into genuine liking for the boy- however, I am not writing this essay about Draco- but at the start, just as his dislike for Harry was based on his father, his love of Draco was grounded in the same. “Lapdog”, finally, has obvious sexual overtones and Snape does not even deny the insult. “Speaking of dogs…” he says, implicitly acknowledging the accusation.
    Thirdly, Lucius and Snape occupy similar positions in the political spectrum- self-interest, coupled with protection of their loved-ones. They were Death Eaters together, and both of them returned to a more or less normal life afterwards.
    Finally, I propose that they met first through the Slug Club. I was surprised when everyone believed neither would have been in it, since they seem to me two of the most obvious choices out of all the adult character of the relevant generation. Lucius, because Slughorn has an obvious preference for those with an illustrious background, and- let’s face it- nice-looking boys, and Snape because he was a genius at Potions, if not in general. Of Snape we furthermore know that he was in the Slug Club because he was at the Christmas party (of which occasion we sorely need some art, by the way. I want to see Snape looking as awkward as Morrissey, dangling in the background somewhere). Draco says of Slughorn and Lucius:

“Shame, my father always said he was a good wizard in his day. My father used to be a bit of a favourite of his.”
(Harry Potter and the Half Blood Prince, p.144)

Lucius might have exaggerated when he said he was a favourite (considering Slughorn’s superlative enthusiasm for everyone, probably not), but he would not praise Slughorn to his son if he had spurned him from his club. Furthermore, as the parties of the Slug Club appear to be for all members, not just those at school, they would have met regularly, even after Lucius had left school.
    Severus Snape and Lucius Malfoy were, at one time, close friends. Whether they were just before Lucius went to Azkaban is unknown, but they had at least at one point a bond strong enough for Snape to swear on his life to protect his son in a war, while he is carrying out a very hazardous mission. It was even strong enough for his wife to expect him to swear this. Similarly, whether they were ever more than friends is unknown. Considering the vehemence of Snape’s actions, and the ‘lapdog’ comment, I would say yes. Compare it to when Bellatrix calls Snape “Dumbledore’s pet”. It does not have the same connotations. Either way, what is there cannot be ignored. Affection, not a choice between an abstract ‘good’ or ‘bad’ is Snape’s main motivation in this book, and hints to this effect have been given throughout the book to affirm this.




Bibliography:

All quotes from HP books from the British editions

hp_essays: Draco's Last Great Protector

hp_essays: Connecting the Dots: Snape and Lucius

current mood: busy
current music: Legendary Pink Dots

(whack Richard over the head)

Wednesday, October 5th, 2005
3:07 pm - Er. Sorry about this.
Well, everyone knows Coleridge and Wordsworth were OTP, so this needs no introduction, apart from profound apologies and a warning that it's actually rather fluffy. Which I find very scary, since I don't think I've ever written anything romantic, and therefore it's most likely crappy. Anyway.

Ph34r my literary geek powerzzz )


current mood: amused
current music: People typing and cooking

(whack Richard over the head)

Saturday, September 10th, 2005
7:11 pm - Girls and ladies, lords and... and things...
The first post in the series 'Great unpublished works' is the hitherto unseen and unheard of...

The More You Ignore Me... )
</p>

A humurous attempt at making Severus Snape and Morrissey get it on. Naturally, Severus Snape belongs to JKR, and Morrissey belongs to Attack Records. Morrissey's dog belongs to Morrissey. I don't know its name, for which I apologise. A dog shouldn't have to appear in fanfiction, anyway, so I apologise for that as well.



current mood: cheerful
current music: David Bowie- Rock 'n' Roll With Me

(8 what Muggles call comments | whack Richard over the head)

Monday, August 29th, 2005
10:10 pm - Testing, testing, one two, one two. Two, two, two..
Just giving this Cadillac a test drive, yo. Welcome, welcome, to another year at Hogwarts.
I mean, this journal. Whoop. Invite your friends round, we'll have a ball.
Though I won't say whose.

And maybe, sometime soon, I'll even post something that makes sense in here.


current mood: exhausted
current music: The Legendary Pink Dots- Soft Toy

(4 what Muggles call comments | whack Richard over the head)



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